Anna Barham

addictive no an adjective

140 kr

200 x 280mm, 16 pages, Risograph printing, Saddle stitched, Softcover, 2024

Composed in collaboration with speech-to-text software on an iPad, this conversational publication discusses the relation between saying, writing, speaking and listening, through Wittgenstein and other.

The Vibrational Semantics text series explores the voice’s ability to shift seamlessly between signification and sonority, from speech sound to noise. Questions of linguistic ambiguity, embodied voicing and feeling/ meaning are investigated in relation to the place and presence of the performed voice. The series is a collaboration with Lydgalleriet.

Bidragsytere

Anna Barham

9 på lager

Om utgiveren:

Vibrational Semantics
Vibrational Semantics focuses on the elaboration, documentation and investigation of the voice. The publications and sound works in the series explore the voice’s ability to shift seamlessly between signification and sonority, from speech sound to noise. Questions of linguistic ambiguity, embodied voicing and the feeling/ meaning are investigated in relation to the place and presence of the performed voice. So far, this has included visual scores, creative essays, interdisciplinary writing and sound works commissioned from artists, writers, performers and vocalists.

The project started as part of artist and writer Samuel Brzeski’s ongoing artistic engagement with Lydgalleriet, who funded the first series of commissioned text works, but is now an independent press run by Samuel.


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