In your hands you are holding the program for the dance production All Tomorrow’s Parties. This is no ordinary program, however, as it also contains a critical reflection on the artistic research project All Tomorrow’s Parties: post-pandemic dancing.

Throughout the performance, this big, black backdrop is moving forward. Slowly, almost invisibly, it pushes the dancers towards the front of the stage, swallowing up the scenography on its way, making it disappear, until the dancers are trapped on the last half a meter downstage, balancing on the edge downstage. Finally the dancers are also swallowed up by the big, black backdrop.

In this publication you will find texts, memories, reflections, and photos.As bonus material, the full manuscript from the third presentation of the piece at Oslo Nye Teater/Centralteateret on22 June 2024 is also included.