Becoming the Forest is a serial publication about ecology and music. It is part of a long-running art project by Úna Hamilton Helle, inspired by how the dense spruce forests of Norway defined the aesthetic and philosophical outlook of the musical subculture of black metal. Ever since its inception, black metal has been intimately entangled with its surrounding topography, and this relationship forms the starting point for the publication’s wide-ranging approach to topics such as music, myth, philosophy, biology, popular culture and history.

128 pages, 210x135mm, printed in black & white, some colour
BTF IV includes specially commissioned essays, interviews and illustrations, by animists, philosophers, artists and musicians, including: an essay on panpsychism as a possible answer to the climate crisis; a philosophical-historical overview of the relationship between black metal and the forest; a magical-realist account of a sylvan trip gone wrong; an in-depth interview with Rune from Nordic Animism, whose project looks to Scandinavian folklore and customs for “hidden animist knowledge” and more respectful ways of living with other subjectivities.

The symbolism of the primstav (a calendar staff used by the agricultural societies of old Scandinavia), runs through the issue. Its seasonally-based, cyclical view of time hints towards a worldview which was embedded in its environment, and which placed man as part of – and at the mercy of- nature, rather than above it.